About 3 months ago, one of my weaving inspirations, Meg, from MegWeaves, posted she was hosting a challenge. Not a competition per se, but something to challenge ourselves (those who so dared), in our weaving skills. And I thought, hey why not? Now you may recall, I'm a novice weaver. I have a tiny, simple loom. It does plain weave, plus a few other tricks I've managed to learn. But Meg encouraged me that weavers of all skill levels are invited. We named the challenge Pics to Picks; in a nutshell, we were to send pictures to each other in the group and use the images we receive as inspiration to design a weaving project of our choice.These are the images I received from Kaz, in Australia, for my inspiration.
She included some beautiful hand colored mandalas that looked very interesting to me. But I have no idea how I might weave something like this. A more experienced weaver probably would choose this as their inspiration image.
Now the "picks" part of the equation baffled me a bit. I have never read what weavers call a draft before. Much less did I think I could design one. However, I knew I could weave various "patterns" using pick up sticks on my rigid-heddle loom. I happened to have a sample warp on my loom for a class I was teaching, (yes, the blind leading the blind), so I experimented with different weaving "picks".
Still I was confused and almost ready to withdraw. So I emailed dear Meg and told her my dilemma. She encouraged me to press forward. She said, the challenge is not so much about skill or technique, it is about design. She knows I have a designer's heart, so I thought okay, surely, I can design something from all these references Kaz sent me. I want to point out some other lovelies she sent to get my creative mojo working, these cute stacking watercolors, and some beautiful hand spun New Zealand wool, and tencel. For my use in any project of my choosing. How nice of her!
Well, the first image that really popped out to me is this Starry Night post card with the Van Gogh image. I could easily see a warp pattern emerge from this image. Do you see it also?
So, I began to scribble a bit with my prismacolor pencils. Now I am such a scarf girl, that this long narrow dimension seems natural to me for designing. I scribbled in a warp pattern, see the yellow verticals, placed at varying widths among the blue?
And I kept coloring, imagining how I might add the "stars" to my scarf. I could thread beads on my weft. So, I indicated bead highlights on my sketch with sticky yellow rhinestones from my scrapbook supplies. Not at all to scale, but just for some bling in my sketch.
And I thought about varying the density of the weave by beating some areas tighter, and some looser, creating a kind of multi-faceted weave. Some areas would be light and airy, and others would be densely packed weft-faced weave. And this is my resulting sketch.
Now, another image grabbed me, because I could see the resemblance of fiber in the pen scratches on this drawing.
She included some beautiful hand colored mandalas that looked very interesting to me. But I have no idea how I might weave something like this. A more experienced weaver probably would choose this as their inspiration image.
Now the "picks" part of the equation baffled me a bit. I have never read what weavers call a draft before. Much less did I think I could design one. However, I knew I could weave various "patterns" using pick up sticks on my rigid-heddle loom. I happened to have a sample warp on my loom for a class I was teaching, (yes, the blind leading the blind), so I experimented with different weaving "picks".
Still I was confused and almost ready to withdraw. So I emailed dear Meg and told her my dilemma. She encouraged me to press forward. She said, the challenge is not so much about skill or technique, it is about design. She knows I have a designer's heart, so I thought okay, surely, I can design something from all these references Kaz sent me. I want to point out some other lovelies she sent to get my creative mojo working, these cute stacking watercolors, and some beautiful hand spun New Zealand wool, and tencel. For my use in any project of my choosing. How nice of her!
Well, the first image that really popped out to me is this Starry Night post card with the Van Gogh image. I could easily see a warp pattern emerge from this image. Do you see it also?
So, I began to scribble a bit with my prismacolor pencils. Now I am such a scarf girl, that this long narrow dimension seems natural to me for designing. I scribbled in a warp pattern, see the yellow verticals, placed at varying widths among the blue?
And I kept coloring, imagining how I might add the "stars" to my scarf. I could thread beads on my weft. So, I indicated bead highlights on my sketch with sticky yellow rhinestones from my scrapbook supplies. Not at all to scale, but just for some bling in my sketch.
And I thought about varying the density of the weave by beating some areas tighter, and some looser, creating a kind of multi-faceted weave. Some areas would be light and airy, and others would be densely packed weft-faced weave. And this is my resulting sketch.
Now, another image grabbed me, because I could see the resemblance of fiber in the pen scratches on this drawing.
So, I set out the same course, translating the light and dark colors of the image into a composition that might be woven. I do this by using a very hi-tech maneuver called "squinting" at the photo. This helps me see light and dark patterns emerge from the photo.
But I wasn't really happy with it, so I decided to try a different ratio for the design, and I came up with this non-symmetrical plaid, which could be a placemat or a hand-bag or something.
I thought I would need a little more punch in color, so I added some ochre. I think using colored pencils is a nice way to see how a finished weaving might look, in a crude kind of way.
I liked it better, but truly, I don't have a loom that would make a sizable piece that is this ratio, and if you are going to the trouble to tie on warp, you might as well make the the most of your project, so I tried looking at the longer dimension again.
So, this is how my very simple design process began for Pics to Picks Weaving Challenge. Next up will be charting my warp ends to achieve this asymmetrical pattern. I think I can manage that. And I have plenty of yarns in my stash to choose from which support my color scheme. 

























